Sunday, June 27, 2010

Youth


From top: Jules and Jim, Bay of Angels and Chloe



Some thoughts following a few films watched this month. The inconvenient truth, especially for women, is that youth matters very much indeed.
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In Jules and Jim, Jeanne Moreau plays a young and attractive, impulsive if not random woman who spends her lifetime hopping from man to man. So skilled is she at playing the game of romance that she manages to have her husband almost begging his best friend to go after her when their marriage breaks down, so that she would be close by - the husband cannot bear to have her walk out of his life. Hence the incredible threesome in the house. The light touch of the film only emphasizes the fragility and ridicule of relationships. It reminds me of Gloomy Sunday, a film on an incredulous consensual threesome set in Nazi Budapest.
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Contrast Bay of Angels, in which Jeanne Moreau is a hopelessly addicted gambler, a woman with a history; to her youth is a thing of the past. And while the character appears in the film in style, and Jeanne Moreau plays the role beautifully, one cannot help feeling sorry for the fatigue with life felt by a woman of her age. In Jules and Jim, you can smell the freedom and abundance of time that come with youth. It therefore comes as a surprise that Bay of Angels was only made a year after Jules and Jim - yet the same actress acted twenty years older.
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Chloe is about seduction, suspicion and infidelity. Julianne Moore plays the wife who suspects her charismatic professor husband Liam Neeson has an affair with his student. She hires a girl half of her age (Amanda Seyfried) to seduce her husband to test his fidelity, but which all turn out to be a mistake. A scene still strikes me: when Julianne Moore confesses to her husband the scheme of seduction, she collapses and reveals how insecure she feels every day when she looks into the mirror and sees herself getting old - she "does not know how to seduce him anymore". I stirred. I imagined myself listening to that line say ten or twenty years later weeping.
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The conundrum is that by the time we gain the wisdom to treasure youth, youth has passed. By definition, youth is when one has the luxury not to treasure anything at all.

Saturday, June 5, 2010

朝鮮聯想

《阿里郎》大型團體操



保安局最近將泰國旅遊警告由黑色調至紅色;朝鮮半島局勢緊張,可不見當局發出韓國旅遊警告。若非警覺性不足,便是無人把南北韓打仗一事當真。可天安艦事件這麼一鬧,倒也費了「阿爺」不少唇舌。
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朝鮮充滿神秘色彩,自有其對另類遊客的吸引力。記得曾聽過一個旅遊講座,講者是個年輕女孩,隻身跑到內地東北地區參加往朝鮮的旅行團,回來分享種種驚險經歷,還有她繞過邊境檢查的偷拍照片(當地除少數官方特許地點外,一律不准拍照);我們雖是舒舒服服的坐在冷氣房,聽到好幾處也緊張得替她捏一把汗。
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我還記得她形容當地人民怎樣清一色的穿官方發給的素服;每人每月獲發約數十元港幣的工資,以致另人懷疑,地下鐵站來往的人們,是否都是演路人的職員,因為達兩三港元的車票,相對人民的收入,幾乎是負擔不來的;當地人怎樣似乎相當滿足於萬事有政府安排的生活;還有那由十萬人表演的《阿里郎》大型團體操,背景轉動的巨型畫面,原來是由無數的參演人員把顏色書翻頁拼湊而成的!
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又想起早前在報上讀到沈旭暉《你會入讀金日成綜合大學嗎?》一文,談及其朋友在當地讀大學的親身經歷,破解了神秘國度的一些流言,非常有趣: